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Balloons – Welcome To The Magical Friendship Squad! http://michaelmurray.ca Michael Murray Writes Things Wed, 08 Mar 2017 04:23:40 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.2 The Lake http://michaelmurray.ca/the-lake http://michaelmurray.ca/the-lake#comments Tue, 07 Mar 2017 22:36:10 +0000 http://michaelmurray.ca/?p=6266 There’s a stillness to waiting rooms.

A dead calm.

Existing just outside of time, lives hang suspended there as people wait to discover the toll they must pay to continue their passage.

Sitting across from me an older, Indian woman reclined in her chair, drifting. Beautiful in sleep, her third eye combed unknown realms before she returned to her mortal body and woke into the hospital lights, tired and disappointed.

A man, his eyes closed, breathed carefully while listening to his iPhone. He was so concentrated, so brittle and alone, and his lips moved almost imperceptibly as he repeated the words he was listening to.

An incantation.

A mantra.

A prayer.

And as if in response, a tired nurse coming off shift– her jacket already on– approached him and gently placed her hand on his shoulder. His eyes flashed open in alarm, and she smiled, asking if there was anything she could do for him. He quickly, reflexively, shook his head no, but she stayed, and growing more beautiful by the word, she spoke with him until something inside the man softly dissolved and the rigidity passed from his body.

Later, a cab pulled up at one of the hospital’s entranceways and a man on oxygen support and his wife got out of the car. They were excited, moving quickly, as if on a game show or late for their vacation cruise of a lifetime. I got inside the car they just left and the cabbie was a happy and talkative. He told me that the guy who just got out, after years of waiting, after countless false starts and failed matches, had just received the phone call that he was going to get a lung transplant and to come in NOW! The man, the driver said, was going to be able to breath again, he was going to be able to go to the family cottage and once again, just like when he was a boy, go swimming in the lake at night.

And as we pulled away from the hospital we passed by a couple of petite Asian women in vividly coloured bubble jackets waiting at the crosswalk. Smiling, they leaned in toward the traffic, swaying slightly, like brightly-lit balloons just about to lift off into the sky.

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Martin Creed’s Work No. 202 at the National Art Gallery in Ottawa http://michaelmurray.ca/martin-creeds-work-no-202-at-the-national-art-gallery-in-ottawa http://michaelmurray.ca/martin-creeds-work-no-202-at-the-national-art-gallery-in-ottawa#comments Tue, 02 Apr 2013 07:02:12 +0000 http://michaelmurray.ca/?p=3278 While in Ottawa on Easter weekend, Rachelle and I visited the National Arts Gallery and saw Work No. 202: Half the air in a given space. This Martin Creed installation gives form to air, I think. Creed measured the volume of oxygen in a large space, and then captured half of it, filling the room with almost 20,000 black balloons. In short, he created a contained environment jammed full of oppressively present balloons and invited people to wander through. It sounded like a fun thing to experience– like going to a Bouncy Castle– and we waited in line with about 15 excited teens as if it was a ride at the Ex.

As we were waiting, two people inside the exhibit started to pound desperately on the wall. The security guards manning the installation jumped into action and opened the door, and amidst a spill of balloons a guy and girl emerged, each one in a panic, shaking and pawing at themselves as if covered in worms.

Rachelle looked over at me, “You’re going to freak-out, aren’t you?”

rachballoon

“No,” I said quietly.

“It says right there on the wall that people with claustrophobia shouldn’t go in. You can’t see at all in there. It’s nothing but black balloons, and if you’re prone to anxiety, it might not be the best experience for you.”

“I’m not prone to anxiety,” I whispered.

“Pickle,” Rachelle answered, “you have sweat on your upper lip and your left eye is twitching, just like when you have a good hand in cards. Are you sure you want to go in?”

I went in, dissolving into the balloons.

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The acoustics were muffled and you really couldn’t see anything but the latex exterior of the black balloons. Dislocating rather than threatening, it was still an uncomfortable feeling. I moved slowly about fanning the balloons away as best I could, but they immediately reconstituted around me as if trying to attach and feed–an assembly of   jellyfish clustering. It was disorienting and as I inched along the perimeter the room became denser and hotter, the air feeling remote and less accessible. I had no idea how to get out or how large the room was and I was starting to feel a little anxious, and then  I heard somebody softly crying. I thought it might be part of the exhibit, but I wasn’t sure.

“Is somebody crying?” I asked.

“I’m fine, “ a woman said,  “sorry.”

I shuffled along the wall toward the voice, eventually coming into contact with somebody slumped to the floor.

“Do you need any help?”

“No,” she answered, “I’m okay, thanks. I’m not panicked or anything, just a little emotional. My mother died recently and whenever I was feeling lost, she was always there to help guide me, you know?  It’s a silly thing, but this just brought her right back to me. I’m really fine and sorry for the little scene.”

And then I heard her get up and move off into the balloons.

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