As of this writing, I am on day 7 of a 6 week stint at a pulmonary rehabilitation facility.

Last night was an event known as “Coffee House.” It took place in a generic, over-lit cafeteria style room that was made all the more depressing by the tiny gestures of decorative cheer added by the well-intentioned staff.

An inspirational message taped to the wall.

A balloon tied to a folding chair.

Somewhere a Dollar Store streamer that wouldn’t stay in place, hanging limp as if injured.

All of us gathered there were quiet, standing around as awkward and vulnerable as children at a school dance. Those who were most profoundly ill, those for whom recovery was out of reach and who lived permanently in the residence, had been pushed up near a three-piece band that was getting ready to perform. These people sat in complicated, tongue-controlled wheelchairs, and at a casual glance appeared fused into the metal of their containers– their mouths open, faces rigid and untranslatable. The rest of us, those attached to oxygen tanks and those not, just looked lost and a little sad, like we’d long given up hope of being asked to dance. You felt what was missing rather than what was there—and it seemed as if in each breath we exhaled a shallow puff of loss, all then gathering together like a weather system to form a heavy, oppressive cloud that enveloped us.

It was heartbreaking.

The band, a kind of folk outfit that was comprised of a woman who looked like a community organizer on tambourine, a bongo player in a Toronto Blue Jays cap, and an electric keyboardist who tried to project energy by wearing a Hawaiian shirt, began to play. At first the music seemed like it was designed to be little more than sound, just a “something” to help fill the emptiness of the situation, but then the woman began to sing I’ll Fly Away. Her voice was beautiful and true, and everybody in the coffee house fell into it.

When the shadows of this life have gone

I’ll fly away

Like a bird from these prison walls I’ll fly

I’ll fly away

And that voice, that song, it seemed to come out of us, too. And for a few moments we were all living beyond our mortal cages, we were all soaring– everything effortless, everything weightless, everything beautiful.

https://www.youtube.com/watch?v=4MNM0OO_iVI

Her legs had been amputated just above the knees and parts of her fingers were missing, too. The area where her fingers stumped were swollen, red and bleeding, and smears of blood were all over her sweatpants, jacket and the two bags of cat food she was looking to buy. He hair was a dangerous nest of possibility and her eyes were angry and lost. She was talking, in a fractured but not incoherent kind of way, but it wasn’t clear to whom, and as she was doing this she was cutting the line. The security guard, moving in an I-hate-my-job way, was coming over to stop her, while the cashier, with a look of horror on her face, recoiled.

I did not know what I should do. The suffering and need of this woman could not be more vivid. I wanted to be Jesus, I wanted to selflessly love and help her, but I did not.

I stood there paralyzed, thinking about the blood-streaked bags of cat food on her lap and how they were going to get from there to the cash. I did not want to be a part of that process and so I decided to buy the cat food for her. This cost $4. I did this out of self-interest rather than altruism. The cashier and everybody in line seemed relieved.

Then one of the bags fell from her lap to the floor– as if a bell tolling, a command to be more involved in her suffering than I was willing to be. Again, I just stood there, waiting for somebody else to become alive to this moment, and then I saw something in her hands that looked a lipstick container and it struck me that perhaps this was all a performance and she had smeared lipstick on herself in order to look like blood and garner sympathy! It was an act!

It was an astonishing cognitive leap, this. There are homeless, broken people all over Toronto, and in order to inure ourselves to this procession of misery, we have to believe there’s a level of performance to the suffering. We construct ridiculous narratives that keep us distant from those asking for our help. Maybe it was all just a ruse, but no, no. This woman needed to buy cat food– either to eat or to feed to the one point of light in her life–and there was blood all over it and it was lying on the floor two feet from where I stood.

For what felt like a minute but was probably closer to 20 seconds, nobody did a thing, and then a woman bent down and with a gloved hand picked up the bag of cat food and returned it to the woman’s lap, the security guard then rolled the panhandler out, and the rest of us continued with our day as if nothing had happened.